CONTORTION
AN ACROBATIC ART THAT INVOLVES A PERFORMER BENDING THEIR BODY INTO HYPER-FLEXIBLE & EXTRAORDINARY POSITIONS, PUSHING THE BODY TO ITS' LIMITS.
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HAND BALANCING
AN ACT IN WHICH THE MAJORITY OF SKILLS INVOLVE THE PERFORMER BALANCING ON ONE OR BOTH HANDS. THE PERFORMER CAN ALSO ROTATE IF BALANCING ON SPECIAL APPARAUS.
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ROLA BOLA
AN ACT INVOLVING THE PERFORMER BALANCING ON A FLAT BOARD THAT IS PLACED ON TOP OF A CYLINDER, WHILE JUGGLIND OR PERFORMING HANDSTANDS.
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AERIAL
ACTS WHICH TAKE PLACE ON APPARATUS WHICH HANG FROM ABOVE; SUCH AS SILKS, TRAPEZE, SPANISH WEB, CORDE LISSE AND AERIAL HOOP.
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SILKS
THE ARTIST CLIMBS, WRAPS, ROTATES AND DROPS WITHIN A PIECE OF FABRIC THAT IS DRAPED FROM THE CEILING; EXHIBITING PURE STRENGTH AND GRACE WITH A GOOD MEASURE OF DRAMATIC TWISTS AND FALLS.
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TRAPEZE
AN AERIAL APPARATUS WITH A BAR SUSPENDED BY ROPES & CABLE. A WIDE RANGE OF MOVEMENTS ARE PERFORMED ON THESE BARS, SUCH AS; BALANCE, DROPS, HANGING AND FLEXIBLE MANOEUVRES.
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SPANISH WEB
AN AERIALIST IS SUSPENDED HIGH ABOVE ON A SINGLE ROPE, WHILE SPINNING AT HIGH SPEED FROM ANKLE OR WRIST. THIS EXTREME ACT IS DYNAMIC AND MESMERIZING. THE ROPE IS SPUN BY ANOTHER PERSON WHO REMAINS ON THE GROUND HOLDING THE BOTTOM OF ROPE.
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AERIAL HOOP
AN ELEGANT AERIAL DISPLAY WHERE THE PERFORMER TWISTS THEMSELVES IN, ON, UNDER AND AROUND A STEEL HOOP OR RING SUSPENDED FROM THE CEILING; USUALLY ABOUT THE SIZE OF A HULA HOOP.
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JUGGLING
THE SKILL OF KEEPING A NUMBER OF OBJECTS IN THE AIR AT THE SAME TIME, BY CONTINUOUSLY THROWING AND CATCHING THE OBJECTS.
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CLUB JUGGLING
A STYLE OF JUGGLING THAT CONSISTS OF ONE OR MORE CLUBS. THE CLUBS ARE SWUNG VERY QUICKLY AROUND THE BODY AND HEAD. THESE SWINGING CLUBS USUALLY HAVE A SPECIAL LARGE KNOB TO MAKE SWINGING EASIER.
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HULA HOOP
CIRCULAR PLASTIC HOOPS THAT ARE USED TO TWIRL AROUND DIFFERENT PARTS OF THE BODY. PERFORMER CAN MANIPULATE ONE OR MULTIPLE HOOPS AT THE SAME TIME.
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UNICYLCE
A ONE-WHEEL BICYCLE WITH A SMALL SEAT UPON WHICH THE PERFORMER RIDES FORWARDS, BACKWARDS, PERFORMS JUMPS AND OTHER UNIQUE BALANCING SKILLS.
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QUICK-CHANGE TRANSFORMATION
THE ILLUSION OF COSTUME CHANGE IS BASED ON THE PRESUMPTION OF THE AUDIENCE THAT THE ARTIST GETS RID OF ONE SET OF CLOTHES IN ORDER TO PUT ON ANOTHER SET IN JUST A FEW SECONDS. THE ARTIST MERELY HOLDS UP A NEW COSTUME TO THEMSELF AND SECONDS LATER... IS WEARING IT.
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CIRCUS ₪ ACTS